MA in TV and Radio Journalism
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Browsing MA in TV and Radio Journalism by Author "Kostick, Conor"
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Item Game Changer A TV documentary about the cultural industry of E-Sports(Griffith College, 2020) Dumas, Matthieu"Game Changer" is a documentary discussing E-Sport and its stand in today’s cultural industry. The aim of this documentary is to offer a vision of E-Sports that is renewed, far from the common depiction the genre receives in the media. It proposes a discussion on the current state of E-Sports in the world of entertainment, discusses the coverage it receives in the media, and finally tries to answer if E- Sports are in fact sports or not. Game Changer is an 18 minutes’ documentary, interviewing three professionals within the E-Sports industry; Alex Blaike, PR and Social Manager for ESL Australia, Gael Parpex Director of the Associations “Générations E-Sport”, “Competition E- Sport” and co-founder of “Ma Team E-Sport” and finally Justin McNolley “MiracU” Pro-player for “Team Solo Mid” (TSM). They bring their experience and knowledge of the field, for us to make sense of what the culture is about, and give an insightful view on the genre, with the help of visuals and voice over. It analyses the treatment Gaming and E-Sports receives in the media, pointing it out its unfairness, proposing that there might have been a recent shift, due to the growing popularity of the genre. It also draws the similarities between Sport and E- Sports, proposing that the development, growth, and institutionalization of both disciplines into spectator sports, a primary form of entertainment, promotes E-Sports as an important media actor of today’s society.Item History in Residence: a radio documentary about Dublin City Council's six historians in residence.(Griffith, 2019) Byrne, BrianThis documentary is an examination of the work of Dublin City Council’s six historians in residence, the importance of public history, the history of Dublin and how we all relate or do not relate to it. History has long seemed the realm of the academic and the scholar, this 45 minute documentary will chart the efforts of Dublin City Council’s six historians in residence. As they attempt to take history down from it’s ivory tower of academia and make it a tangible thing to the public. Through the use of audio interviews, SFX and music, the documentary will explore the themes of public history and identity, what it means to be Irish and what it history means to us all. The narrative which emerges from these various themes, provides an insight into how important our history is to us, what we can learn from it, and what we are destined to repeat without it. In this programme I’ll be interviewing Dublin’s six historians in residence as I follow them through a normal workday. Moving from historian to historian, wending our way through Dublin’s districts, criss-crossing the Liffey, treading the steps of hidden history which permeate the brick and mortar of Baile Átha Cliath. With the historians as our guides, they will peel back the layers of the past, exposing the stories which lie just out of sight. Their mandate was to make history tangible for as many diverse groups as possible. On this journey we’ll hear from all the different people with whom the historians have interacted with over the past year; be they prisoner, pensioner or pupil.Item Ireland Informed: A Characterization of Science Reporting in the Irish Media(Griffith College, 2018) Mc Cluskey, FionaScience and scientific advancement has the capacity to be an exciting topic for the Irish news consumer. Public understanding of science and scientific advancement is important for informed policy making, legislating and funding. The purpose of this dissertation was to develop an understanding of the current landscape of science reporting in the Irish media and to assess if an adequate level of science coverage was achieved. The design of this research was both quantitative and qualitative, building on the research paradigm of Suleski and Ibaraki (2010). I identified and analysed the reporting of science news over a one-month period in 2018, across two television news shows, namely RTÉ News: Six One and TV3: 3News at 5.30, one tabloid and one broadsheet newspaper, namely the Irish Sun and the Irish Independent newspaper and two radio news shows, namely RTÉ Radio One: Morning Ireland and Today FM: The Last Word. Using a set of defined guidelines, 82 examples of science news reporting were identified during the study period and a content analysis was performed. It was found that 0.03% of science research published in peer reviewed journals reached the Irish media audience and there was an average of 1.7% science news coverage in Irish news content. The medical sciences received the most news coverage with an emphasis on cancer science. There was a focus on local relevance in the science news reports studied and although a tenancy toward negative news stories was anticipated, this was not observed. It was established that the level of science news coverage in the Irish media did not correspond to the appetite of the Irish news consumer and can therefore be deemed inadequate.Item Raised by my Motherland: A radio documentary on Lyudmila Matthews, an orphan, a survivor and a witness of Stalin’s Great Terror(Griffith College, 2018) Conor, FayThis radio documentary, entitled Raised by my Motherland tells the story of Lyudmila Matthews. Lyudmila was a child in the Soviet Union when the series of repressions known as the Great Terror, or the Purges, orchestrated by Josef Stalin gained momentum. The Terror, through killings and forced starvation, resulted in the deaths of millions across the newly established Soviet Union and remains the most problematic aspect of the nations Communist history. The Terror destroyed Lyudmila’s family as her father fell victim to its ravages. Raised by My Motherland seeks to situate the story of this initial destruction of the family unit its proper historical context and then explore how Lyudmila, the one remaining survivor of that family navigated life in the Soviet Union as an orphan and experienced the unique nation as it was gradually moulded from above by its totalitarian leader, Stalin and then moulded again by his death. Lyudmila’s story is, considering her old age, a rare one and thus Raised by my Motherland places most of its emphasis on her voice as she reflects on her own Soviet Century. This is her account of that phenomenon which erupted in 1917, the memory and influence of which survives to this day, 100 years later.